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A post about my travels is forthcoming, but first:

When the night is new by apolesen

I cannot say enough about this fic. It’s Cameron/Clegg, which is quite strange, but I can ignore everything for the fact it is a Proper Bletchley Park AU. All of the musty atmosphere of people scribbling away at jumbles of letters, punching intercepted transmissions into clunky room-sized mechanical computers, in the dreary English countryside. As far as I can tell the cryptographic details are all correct—absolutely wonderful, as there’s nothing that gets in the way of a good story like a genius unable to do the elementary task of cracking a Caesar cipher (a Sherlock fic, once). The technical details don’t detract from the story, however; the story is beautifully told, words wrapped in emotional insecurity and resigned tension.

Read this story.
Vending machine
SCENE

A small coffee shop in San Francisco, lit by tasteful lamps and the glow of a dozen laptops. At one table sits Jeffrey Zeldman in his trademark blue beanie, musing at an article about adaptive web design. Across the shop sits Paul Irish, reading code commits and updating his blog. People linger around them, slowly absorbing knowledge of how to build a better-designed website and contemplating how to dispose of Internet Explorer 6 forever.

IRISH: We gather here today to launch Move the Web Forward, to advance our community and elevate the web platform.

The crowd oohs.

IRISH: I thank all of you who contributed—especially Dimitri, whose twittered words gave this project life, my co-conspirator Divya, and Mat, who put his blood and tears into this project.

There is a round of appreciative back-slaps and toasts.

IRISH: We’re launching on Blue Beanie Day, the day of celebrating web standards. I am sad to say that Jeffrey Zeldman, whose blue beanie we all admire, didn’t mention anything about us at all in his eulogy of blue beanie merchandise.

Crowd boos.

ZELDMAN: (gets up) I talked about this project all over the place, despite the ill-written website that lacked information on who was behind it. I cannot believe you would sink to this kind of whiny character assassination. You did the same thing with my magazine when we’ve reached out to you again and again. I suppose you must have a grudge against me. F— off.

DIVYA MANION: Please stop the drama. Drama is not a part of web standards.

BYSTANDER: We barely survived the browser wars, please don’t start a web standards war. Ian Hickson is already about to start web standards war!

IRISH: Actually, you didn’t link to Move the Web Forward. At all. Please stop using such negative language.

BYSTANDER 2: I have the internet! And the internet says you only posted this to Facebook! Not to Twitter or Google the Plus!

MANION: The web has been rotting, stagnant for a decade. What has anyone else managed to do? We’re going to change that.

ZELDMAN: Paul, I’ve reached out to you again and again, and you just continue publicly trash-talking me. Whatever. Let’s steer clear of each other but don’t bring me up in your blog again. Also Divya, I totally like like this project but, seriously, I hate Paul.

A man enters the coffeeshop. Close inspection reveals him to be Jonathan Hoefler, purveyor of fonts.

HOEFLER: (tugs down his scarf) In the screenplay version of this conversation, we’d now answer the knock at the door to find a smiling, hapless fellow distributing religious pamphlets. He’d say something conciliatory and serene, and we’d yell at him to fuck off, slamming the door. Then we’d take stock of the situation, and share a good belly laugh.

Hoefler buys a coffee, and exits the shop.

BYSTANDER 3: Are we internet famous yet?

COFFEESHOP OWNER: We’re closed.

*

Background: Jeffrey Zeldman co-founded the Web Standards Project and A List Apart, an online magazine about web development that is now publishing books and hosting conferences. Paul Irish co-created HTML5 Boilerplate, the new web development playground tool; contributes to jQuery, on most reputable websites and many ill-reputable ones; and works for Google. Jonathan Hoefler is responsible for many famous fonts.

Discussion paraphrased from Paul Irish’s blog. Twitter has been replete with head-shaking and popcorn gifs.
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09 · Slide (Prince of Tennis doujinshi) by Hojo Akira
02 · Hetalia fanart

plus:
01 · Hetalia wallpaper
01 · Clock Zero wallpaper



Clock Zero—just, what.

end of eternity )

Please credit.
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I recently received A Drunken Dream and Other Stories by Hagio Moto, translated by Matt Thorn and published by Fantagraphics. I heard about the book through [livejournal.com profile] battour, who is a fan of The Heart of Thomas, and I can’t pass down a high-quality translated volume of manga. Many years ago when I was just getting into anime and manga, I studiously devoured Matt Thorn’s blog, so I had—have—great trust in his translations. Plus, an autographed bookplate? Instant motivator. However, a week after I placed the order, I received a letter stating that A Drunken Dream was out of stock, and my hopes of a signed bookplate were crushed.

Yet! The day the book arrived, I’d already completely forgotten about it and was awaiting the arrival of my latest purchase, the limited edition DJ Max Portable 3. (That package has only just left its 3-day purgatory at Customs Canada.) The package arrived at noon as I was readying to leave the house, so I only had time to open it and admire the cover—and the unexpected but welcome bookplate—before heading off, late. I was absolutely blown away by the quality. No lie: I think the price was an absolute steal. Today, I finally opened the book, and as is my wont read the meta first before reading the actual story, or in this case, stories. I am struck by how frank Hagio-sensei is about her family life, for a culture whose children are taught to keep mum no matter what happens.

The best things should be savoured, and as such I have only read a couple of stories so far. It is hard to reconcile the style—both visual and literary—of the 1970s with that of shoujo manga of the past decade. Having also some exposure to Terra e… and Kaze to Ki no Uta, the first impression given by shoujo manga of that generation is of a world lost in time and space, the world of a child’s dreams and nightmares. It’s jarring coming from a habit of mundane realism and stark dystopia, though arguably, the worlds of these manga can be just as dystopian as any Lord of the Flies–styled story.
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My DeviantArt account has been deleted for reasons outlined here:
The newest and most blatant example of dA's skewed treatment of gay people is a new stamp by prosaix "Homophobe and Proud of It"

Try reporting it. You can't.

Why? Because tons of people have already tried and dA administrators have marked the case "invalid".

Their stock answer:
"Comment: Thank you for attempting to bring this deviation to the attention of the staff. Unfortunately this deviation does not meet the current definition for "Hate Art". It is important to remember that actual "Hate Art" expresses clearly racist ideals, such as the genocide or enslavement of a certain race or class of people. A work which simply expresses a dislike or negative opinion for a subject is not "Hate Art" regardless of how strong that opinion might be expressed, neither are deviations which you simply find offensive because the beliefs or opinions are the opposite of your own. Please review our FAQ entry on the subject of "Hate Art" available here [link] so that you can be more familiar with the official definition."
I will get to fixing the broken images caused by the account deletion eventually.
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Here’s something I’ve been working on: sheet music for “Miracles may” by Itou Kanako, from the game Sweet Pool, entirely transcribed by ear.

Note: in bars 9-16, the bass line can be played with the right hand.

「Sweet Pool」より『Miracles may』の楽譜とMIDI(耳コピ)
9〜16小節でベースラインは右手で弾くことができます。

PDF | MIDI

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January 2012

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