FIC: forgetting any other tie but this (Word of Honor: Liu Qianqiao/Luo Fumeng) [M]
Nov. 3rd, 2025 07:03 pmforgetting any other tie but this (5410 words)
Fandom: 山河令 | Word of Honor (TV 2021)
Rating: Mature
Relationship: Liu Qianqiao/Luo Fumeng
Content Tags: Backstory, Canon Compliant, Getting Together, Ghost Valley, Ghost Valley Politics, Department of the Unfaithful, Worldbuilding, cameos by Wen Kexing and Gu Xiang, and several original Ghost characters
Summary: Something was wrong with Xi Sang Gui, and Liu Qianqiao couldn't simply sit and wait.
Fandom: 山河令 | Word of Honor (TV 2021)
Rating: Mature
Relationship: Liu Qianqiao/Luo Fumeng
Content Tags: Backstory, Canon Compliant, Getting Together, Ghost Valley, Ghost Valley Politics, Department of the Unfaithful, Worldbuilding, cameos by Wen Kexing and Gu Xiang, and several original Ghost characters
Summary: Something was wrong with Xi Sang Gui, and Liu Qianqiao couldn't simply sit and wait.
Book Review: Interview with the Vampire
Nov. 3rd, 2025 12:58 pmLast week, I expressed some disappointment about Anne Rice’s Interview with the Vampire, as I had hoped to be catapulted into a new obsession, but once I accepted that the obsession wasn’t to be, I actually did enjoy the book a lot. And it was super interesting comparing it to the 1994 movie, which Anne Rice wrote the screenplay for and apparently LOVED - like, “she took out a full page ad for the movie in the NYT” level of love.
Many of the changes are just streamlining. For instance, in the book both Louis and Lestat start out with living family members, who no longer exist in the movie (also movie Lestat is IIRC supposedly much too old to have living family members at all), and there’s also a section where Louis and Claudia go to eastern Europe searching for vampires but find only mindless undead bloodsucking revenants, which is cut in the movie to send them straight to Paris and Armand.
But there was one significant change I found fascinating: ( spoilers )
Many people have told me they liked The Vampire Lestat more than Interview with the Vampire, so I plan to read that next Halloween. Then possibly Queen of the Damned the Halloween after? Although let me know if you think I should either stop after The Vampire Lestat or else extend my purview to include any of the later books.
Many of the changes are just streamlining. For instance, in the book both Louis and Lestat start out with living family members, who no longer exist in the movie (also movie Lestat is IIRC supposedly much too old to have living family members at all), and there’s also a section where Louis and Claudia go to eastern Europe searching for vampires but find only mindless undead bloodsucking revenants, which is cut in the movie to send them straight to Paris and Armand.
But there was one significant change I found fascinating: ( spoilers )
Many people have told me they liked The Vampire Lestat more than Interview with the Vampire, so I plan to read that next Halloween. Then possibly Queen of the Damned the Halloween after? Although let me know if you think I should either stop after The Vampire Lestat or else extend my purview to include any of the later books.
그 눈빛과 움직임
Nov. 3rd, 2025 08:43 pmI travelled to Mumbai to attend the K-town festival. This is K-town 3.0, which means there was a 1.0 and a 2.0 (both of which I missed because I didn't even find out they happened in the first place, until now). There was no WAY I was missing this year's festival after finding out it happens.
I SAW TAEMIN LIVE. He just walked onto the stage and started performing Move (!!!!) with no preamble, no warning, no mic check. I went feral. He was wearing a tank top and a jacket/shrug that he kept shrugging off to show his arms and it was amazing. I've always thought, from videos of his performances, that he had breathtaking artisty and grace, stylistic movements all his own. But live, Taemin Hits Different. He was like a celestial being, whatever the male version of an apsara is.
I was suffering as a short girl who'd bought the cheapest tickets in the standing area way at the back, because random uselessly tall Indian guys kept blocking my view. Also people kept coming and going from the more expensive areas, walking in front of me or making me have to step back to make way for them. And when Taemin was due to perform there was a huge surge towards the barricade, so seeing him was harder than seeing the other performers. I was doing a lot of neck-craning and tiptoe-standing, and my shoulders ached.
However! It was all so surreal and such a dopamine hit! He was THERE. Taemin was there, he's REAL, y'all! Like, he might be a celestial fairy but he also, like, exists ON THE SAME PLANE AS ME. He performed Move, Advice, Deja Vu, Criminal and Sexy in the Air. Only five songs sobs BUT three of them are favourites of mine. I wish we got a whole concert of him but you know what. I'm so damn lucky I got to see him. I SAW HIM PERFORM MOVE LIVE. WHAT!!!
I posted a few clips in an Instagram post (Insta shortened all the clips, as Insta does, but it doesn't matter because this is just to document my ferality. Other people are sure to post actual fancams later.) You'll notice I couldn't hold the camera straight or steady or focused. Nor could I stop people blocking my camera with their whole heads. But you'll also notice I was shouting my head off cheering for Taemin and yelling the lyrics to his songs, which is the bit that I wanted to capture. I'M WINNING AT LIFE.
After the festival I felt this sense of wonder because Taemin is REAL and he's THERE, but I also felt an overwhelming melancholy. I was like, that was such a dopamine hit, what do you mean I can't do this every weekend? What do you mean that might be the first and last time I see Taemin live? K-pop acts almost never come to India… but maybe this is a sign times are changing. I don't know. I did a tarot reading about this and got the Ace of Cups, just a lot of feelings, big feelings. I love that I saw him, I'm sorry that I couldn't see him better, and I want to see him again and again.
I'm waiting for fancams of his K-town performance to be uploaded and then I'll share them here. In the meanwhile, if you're curious about just how ethereal he is live, this will give you an idea:
Going to talk about the other performers in a separate post because this post is already long and fulsome with Taemin squee.
I SAW TAEMIN LIVE. He just walked onto the stage and started performing Move (!!!!) with no preamble, no warning, no mic check. I went feral. He was wearing a tank top and a jacket/shrug that he kept shrugging off to show his arms and it was amazing. I've always thought, from videos of his performances, that he had breathtaking artisty and grace, stylistic movements all his own. But live, Taemin Hits Different. He was like a celestial being, whatever the male version of an apsara is.
I was suffering as a short girl who'd bought the cheapest tickets in the standing area way at the back, because random uselessly tall Indian guys kept blocking my view. Also people kept coming and going from the more expensive areas, walking in front of me or making me have to step back to make way for them. And when Taemin was due to perform there was a huge surge towards the barricade, so seeing him was harder than seeing the other performers. I was doing a lot of neck-craning and tiptoe-standing, and my shoulders ached.
However! It was all so surreal and such a dopamine hit! He was THERE. Taemin was there, he's REAL, y'all! Like, he might be a celestial fairy but he also, like, exists ON THE SAME PLANE AS ME. He performed Move, Advice, Deja Vu, Criminal and Sexy in the Air. Only five songs sobs BUT three of them are favourites of mine. I wish we got a whole concert of him but you know what. I'm so damn lucky I got to see him. I SAW HIM PERFORM MOVE LIVE. WHAT!!!
I posted a few clips in an Instagram post (Insta shortened all the clips, as Insta does, but it doesn't matter because this is just to document my ferality. Other people are sure to post actual fancams later.) You'll notice I couldn't hold the camera straight or steady or focused. Nor could I stop people blocking my camera with their whole heads. But you'll also notice I was shouting my head off cheering for Taemin and yelling the lyrics to his songs, which is the bit that I wanted to capture. I'M WINNING AT LIFE.
After the festival I felt this sense of wonder because Taemin is REAL and he's THERE, but I also felt an overwhelming melancholy. I was like, that was such a dopamine hit, what do you mean I can't do this every weekend? What do you mean that might be the first and last time I see Taemin live? K-pop acts almost never come to India… but maybe this is a sign times are changing. I don't know. I did a tarot reading about this and got the Ace of Cups, just a lot of feelings, big feelings. I love that I saw him, I'm sorry that I couldn't see him better, and I want to see him again and again.
I'm waiting for fancams of his K-town performance to be uploaded and then I'll share them here. In the meanwhile, if you're curious about just how ethereal he is live, this will give you an idea:
Going to talk about the other performers in a separate post because this post is already long and fulsome with Taemin squee.
Fancake Theme for November: Mystery & Suspense
Nov. 3rd, 2025 07:15 am
This theme runs for the entire month. If you have any questions, just ask!
[Prompt #466] BtVS / Spike, Dawn — Won’t Matter
Nov. 3rd, 2025 03:42 pmTitle: Won’t Matter
Fandom: Buffy the Vampire Slayer
Author:
veronyxk84
Characters/Pairing: Spike & Dawn
Rating: PG-13
Warnings: none
Word count: 100 (Google Docs)
Spoilers/Setting: Set in S5, shortly after ep. 5x18 “Intervention.”
Summary: Dawn stops by Spike’s crypt to thank him.
Disclaimer: This is a work of fiction created for fun and no profit has been made. All rights belong to the respective owners.
Prompt: #466 - Collection
Crossposted:
fan_flashworks, My journal
—
( READ: Won’t Matter )
Fandom: Buffy the Vampire Slayer
Author:
Characters/Pairing: Spike & Dawn
Rating: PG-13
Warnings: none
Word count: 100 (Google Docs)
Spoilers/Setting: Set in S5, shortly after ep. 5x18 “Intervention.”
Summary: Dawn stops by Spike’s crypt to thank him.
Disclaimer: This is a work of fiction created for fun and no profit has been made. All rights belong to the respective owners.
Prompt: #466 - Collection
Crossposted:
—
( READ: Won’t Matter )
Title: Time Neither Friend Nor Foe
Author: Tarlan (
tarlanx)
Fandom: L'Oreal "Time Engraver" Commercials/Guardian (TV)
Pairing/Characters: Time Engraver/Zhao Yunlan
Rating/Category: PG SLASH
Word Count: 1697
Summary: He loved all his subjects but one was more special than all the others.
Content Notes: Written for Trobadora for
rarepairexchange 2025
On AO3: https://archiveofourown.org/works/70723506
Author: Tarlan (
Fandom: L'Oreal "Time Engraver" Commercials/Guardian (TV)
Pairing/Characters: Time Engraver/Zhao Yunlan
Rating/Category: PG SLASH
Word Count: 1697
Summary: He loved all his subjects but one was more special than all the others.
Content Notes: Written for Trobadora for
On AO3: https://archiveofourown.org/works/70723506
Twice (1 November, Qudos Bank Arena)
Nov. 3rd, 2025 11:57 pmFirst of two nights in Sydney for the "This Is For" tour. Our tickets were in B reserve, so quite far up and with some obstruction to the video screens, but they were fine.
The show is quite different in terms of production and pacing from the previous tour. With the show staged in the round, the stage is divided into three sections. Most of the show takes place on the middle main stage, with some stages on the two side stages. There is some amazing lighting and laser effects, and there are a couple of key props which are quite interesting - notably Dahyun's piano - but for the most part few props are used.
In terms of pacing, this is a snappy setlist with few pauses. It felt more geared towards a general audience than a kpop audience in the sense that there's very few ments (only the introduction and then a few interstitials) and the show is quite tight, finishing easily under 3 hours. Unlike previous tours, there is no encore roulette and to me it felt like there were less unchoreographed or spontaneous moments.
They are still amazing performers and they always seem so joyous. It was Jeongyeon's birthday and we all sang happy birthday to her, and she pretended to chomp on a couple of her members, and it was generally adorable. Momo and Nayeon and Jeongyeon were all flirty with each other at various moments and all of them really worked the stage.
I thought the solo stages (all solo songs from the latest album) were quite brief, sometimes too brief, but had some interesting staging. When they're all together as a group, I find Jihyo's and Momo's charisma, and to a lesser extent Nayeon, sometimes overwhelming, I look at them so much - in solos, it's easier to see some of the quieter members shine. I particularly found Tzuyu (she's grown in confidence so much!), Jeongyeon (VEGAS COWGIRL) and Dahyun (with her piano and her dramatics) the most distinct.
Although there was no encore roulette, it was nice that they kept the encore wait audience dancealongs, some were really cute and/or talented. It was a fun crowd, not totally sold out, but probably at 95% capacity.
Out of the times I've seen Twice perform, this was one of the less satisfying shows. It wasn't a full group lineup, with Chaeyoung absent for health reasons, and Sana was not at full health and was seated for the first half of the show. I also found the sound mixing not quite right - although it's great to have a live band, often I felt like the music was competing against the members - it was a relief to have more moderate volume music for the solo stages.
( setlist )
The show is quite different in terms of production and pacing from the previous tour. With the show staged in the round, the stage is divided into three sections. Most of the show takes place on the middle main stage, with some stages on the two side stages. There is some amazing lighting and laser effects, and there are a couple of key props which are quite interesting - notably Dahyun's piano - but for the most part few props are used.
In terms of pacing, this is a snappy setlist with few pauses. It felt more geared towards a general audience than a kpop audience in the sense that there's very few ments (only the introduction and then a few interstitials) and the show is quite tight, finishing easily under 3 hours. Unlike previous tours, there is no encore roulette and to me it felt like there were less unchoreographed or spontaneous moments.
They are still amazing performers and they always seem so joyous. It was Jeongyeon's birthday and we all sang happy birthday to her, and she pretended to chomp on a couple of her members, and it was generally adorable. Momo and Nayeon and Jeongyeon were all flirty with each other at various moments and all of them really worked the stage.
I thought the solo stages (all solo songs from the latest album) were quite brief, sometimes too brief, but had some interesting staging. When they're all together as a group, I find Jihyo's and Momo's charisma, and to a lesser extent Nayeon, sometimes overwhelming, I look at them so much - in solos, it's easier to see some of the quieter members shine. I particularly found Tzuyu (she's grown in confidence so much!), Jeongyeon (VEGAS COWGIRL) and Dahyun (with her piano and her dramatics) the most distinct.
Although there was no encore roulette, it was nice that they kept the encore wait audience dancealongs, some were really cute and/or talented. It was a fun crowd, not totally sold out, but probably at 95% capacity.
Out of the times I've seen Twice perform, this was one of the less satisfying shows. It wasn't a full group lineup, with Chaeyoung absent for health reasons, and Sana was not at full health and was seated for the first half of the show. I also found the sound mixing not quite right - although it's great to have a live band, often I felt like the music was competing against the members - it was a relief to have more moderate volume music for the solo stages.
( setlist )
Word of Honor Icons
Nov. 2nd, 2025 09:44 pmCreated for a challenge with a prompt of: Apprenticeship, teaching, mastering skills.
Mastering a skill takes time and perseverance. Be patient. Every day that you work on developing your craft, you move closer to achieving mastery.
Instantly I thought of Word of Honor and three young disciples in particular.
Zhang Chengling, disciple of the Four Seasons Sect, who started his training very late and has to work hard to master the skills of not just Four Seasons Sect but of the destroyed Mirror Lake Sect and the mechanics of the Longyuan Cabinet too.
Cao Weining, disciple of the Gentle Wind Sword Sect
Gu Xiang, adopted sister/daughter of Ghost Master Wen Kexing from Ghost Valley


Tarlan | Winter
Mastering a skill takes time and perseverance. Be patient. Every day that you work on developing your craft, you move closer to achieving mastery.
Instantly I thought of Word of Honor and three young disciples in particular.
10 ICONS HERE
Zhang Chengling, disciple of the Four Seasons Sect, who started his training very late and has to work hard to master the skills of not just Four Seasons Sect but of the destroyed Mirror Lake Sect and the mechanics of the Longyuan Cabinet too.
Cao Weining, disciple of the Gentle Wind Sword Sect
Gu Xiang, adopted sister/daughter of Ghost Master Wen Kexing from Ghost Valley


Tarlan | Winter
The Impossible Fortune by Richard Osman
Nov. 2nd, 2025 03:04 pmThe Impossible Fortune
4/5. Fifth Thursday Murder Club book. Do not start here.
A good romp, with a characteristically absurd premise and various people being variously ridiculous. It’s a bit of an uneven book, though. A few chapters were so piercingly perfect that I couldn’t stand it. He is really good at writing about grief in short but beautiful ways. Also a mother/daughter relationship. Thinking about it, there aren’t that many male authors who do that well and complexly. And this book made me care deeply about Ron in ways I never expected. That’s a real trick, if you can turn a reader around on a main character after four books.
Other parts of this fell completely flat. There is a heel turn by a particular character that I straight up rolled my eyes at, because I didn’t buy it even in the fantasy of this universe. There’s something to that. The fantasy of these books where you know the characters are going to be okay from bombs and hitmen and criminal bosses, but you know they aren’t going to be okay from the other stuff. Age. Time. Loss. He’s reaching for something there that hasn’t connected yet. But in the case of this one particular character, the fantasy of okayness had to reach too far.
Content notes: References to domestic violence. Recollection of police brutality. Grief/mourning.
4/5. Fifth Thursday Murder Club book. Do not start here.
A good romp, with a characteristically absurd premise and various people being variously ridiculous. It’s a bit of an uneven book, though. A few chapters were so piercingly perfect that I couldn’t stand it. He is really good at writing about grief in short but beautiful ways. Also a mother/daughter relationship. Thinking about it, there aren’t that many male authors who do that well and complexly. And this book made me care deeply about Ron in ways I never expected. That’s a real trick, if you can turn a reader around on a main character after four books.
Other parts of this fell completely flat. There is a heel turn by a particular character that I straight up rolled my eyes at, because I didn’t buy it even in the fantasy of this universe. There’s something to that. The fantasy of these books where you know the characters are going to be okay from bombs and hitmen and criminal bosses, but you know they aren’t going to be okay from the other stuff. Age. Time. Loss. He’s reaching for something there that hasn’t connected yet. But in the case of this one particular character, the fantasy of okayness had to reach too far.
Content notes: References to domestic violence. Recollection of police brutality. Grief/mourning.
So. November. (Holidays etc. | Cake? | Cat interpersonal dynamics)
Nov. 2nd, 2025 02:23 pmSo here it is: the rest of autumn spread out before us, post-Hallowe'en and pre-Christmas with (in Canada) mainly the gray blur of November in between.
(It's really just as well we have our harvest celebration in October, but as always, I do envy the placement of it between Hallowe'en and Christmas in the US just in terms of not having the stretch between seasonal holidays. [I say, as if US Thanksgiving isn't horribly fraught in so many ways.] I don't know why I have such strong feelings about this. I had them before I stumbled into wanting seasonal decor at home for more than just Christmas and started feeling all adrift in that sense at this time of year.)
(This probably isn't why some people have non-holiday decor that can be swapped in and out, thus having more options, but it's a nice side effect, I imagine. *contemplates* Please feel free to tell me about your non-Hallowe'en decor! Full-on harvest stuff is not terribly seasonal here, but surely there are other options?)
Anyway. It's noticeably cooler here now, and still bright outside rather than all gray-skewed like my mental picture of the season, but the month is young.
If there are things you love about November, please share?
Last time we ordered groceries, I got a bag of Granny Smith apples with intentions of baking, and that...uh, that hasn't happened yet. Hopefully today after I get some work done, assuming nothing horrible has happened to them. (I worry about overestimating the durability of things like apples. And cabbage. We also have a cabbage. >.> It's been around longer.)
As for what to bake...well, I have my eyes on two Smitten Kitchen cakes and two RecipeTin Eats cakes (all new to us), and there's also an a cake we made last year, or just doing baked apples or crisp. We'll see.
In cat news, the other night Sinha was being a tremendous pest to Jinksy (as is typical), and unexpectedly, Jinksy remembered (???) how to scruff him! He scruffed Sinha a couple of times a couple years ago, and it's pretty much the only thing that's ever actually made Sinha back the fuck off, but then that was it. Maybe he won't go another year or more without remembering about it again. (It's such a complicated feeling for us, because Sinha makes the most pathetic keening noises and gets really upset about it [and the other night it took an hour or so of him racing around the house grumbling to himself before he settled down, which was awkward since we were trying to sleep], so it's a bit heartbreaking, but we are absolutely in favor of Jinksy standing up for himself and saying, "NO. You will STOP.")
(It's really just as well we have our harvest celebration in October, but as always, I do envy the placement of it between Hallowe'en and Christmas in the US just in terms of not having the stretch between seasonal holidays. [I say, as if US Thanksgiving isn't horribly fraught in so many ways.] I don't know why I have such strong feelings about this. I had them before I stumbled into wanting seasonal decor at home for more than just Christmas and started feeling all adrift in that sense at this time of year.)
(This probably isn't why some people have non-holiday decor that can be swapped in and out, thus having more options, but it's a nice side effect, I imagine. *contemplates* Please feel free to tell me about your non-Hallowe'en decor! Full-on harvest stuff is not terribly seasonal here, but surely there are other options?)
Anyway. It's noticeably cooler here now, and still bright outside rather than all gray-skewed like my mental picture of the season, but the month is young.
If there are things you love about November, please share?
Last time we ordered groceries, I got a bag of Granny Smith apples with intentions of baking, and that...uh, that hasn't happened yet. Hopefully today after I get some work done, assuming nothing horrible has happened to them. (I worry about overestimating the durability of things like apples. And cabbage. We also have a cabbage. >.> It's been around longer.)
As for what to bake...well, I have my eyes on two Smitten Kitchen cakes and two RecipeTin Eats cakes (all new to us), and there's also an a cake we made last year, or just doing baked apples or crisp. We'll see.
In cat news, the other night Sinha was being a tremendous pest to Jinksy (as is typical), and unexpectedly, Jinksy remembered (???) how to scruff him! He scruffed Sinha a couple of times a couple years ago, and it's pretty much the only thing that's ever actually made Sinha back the fuck off, but then that was it. Maybe he won't go another year or more without remembering about it again. (It's such a complicated feeling for us, because Sinha makes the most pathetic keening noises and gets really upset about it [and the other night it took an hour or so of him racing around the house grumbling to himself before he settled down, which was awkward since we were trying to sleep], so it's a bit heartbreaking, but we are absolutely in favor of Jinksy standing up for himself and saying, "NO. You will STOP.")
[Prompt: #466: Collection] Raven Cycle - Journal Entries
Nov. 2nd, 2025 08:14 pmReading (back)log
Nov. 2nd, 2025 01:06 pmI wound up reading fourteen novels/novellas in October! Here's what I've read since my last reading check-in.
KJ Charles' The Secret Casebook of Simon Feximal (historical M/M) is a neat setup, where the narrator has been partnered for years with a paranormal investigator and has written famous accounts of the cases they faced, and is now much more privately writing about their personal history and the cases that instigated and shaped their romantic partnership (with, of course, many references to cases he's already written about for the public eye).
Dweller on the Threshold is my second read by Skyla Dawn Cameron, in which a woman inherits a probably-haunted house early in the covid pandemic. It's creepy and well-done and much weirder than it initially seemed likely to be (although to nowhere near the degree of weirdness that her The Taiga Ridge Murders, which I read late last year, turned out to be).
Dreadful Company (Vivian Shaw) was a quick, fun read. It's the second Dr. Greta Helsing novel, and it left me in the odd-feeling (but not uncommon for me, really) position of having enjoyed it without feeling any particular need to seek out the following books.
What Stalks the Deep is the third of T. Kingfisher's Sworn Soldier novellas, which due to the increasingly-horrifying prices of ebooks (in particular novellas, IMO) I borrowed from the library. OT1H, that's deeply annoying, because I generally really like Ursula Vernon's writing and would like to simply buy everything, if only to support her (and yes, I do know library borrows do contribute to that as well); OTOH, I avoided spending something like $20 on a NOVELLA and was (briefly) spared the need to decide what to read next, because when this became available at the library, it became my obvious next read once I'd finished Dreadful Company. Also, I enjoyed it; I wouldn't recommend reading it without at least reading the first book in this set, and if you've read and liked the previous ones, you'll presumably like this one too.
(Before my many-years-ago-now decision to spend a year [ha!] reading mainly/only from books I'd purchased but never read--which has pretty much been ongoing ever since, because I keep buying books--I almost never had to think about what to read next, because I had several hundred holds on hard copies at the library, and basically would just put something on hold and immediately suspend the hold for a year or two [whatever the maximum was], and then frequently scroll through the list and re-suspend books if I caught them in the window between them being automatically unsuspended and actually heading my way. Whatever books I didn't catch in that window arrived for borrowing at the library, so I'd pick them up and read them, whatever they were.)
Also
scruloose and I finished Fugitive Telemetry, although it took us long enough that I had to check it out from the library a second time (which I'd rather avoid, given my understanding of how ridiculous the ebook/audiobook situation is for libraries >.<). When we circle back to listen to the first novel, we'll definitely have to be ready to actively focus on finding time for it.
Current reading/watching: I'm a few chapters into Bury Our Bones in the Midnight Soil (V.E. Schwab), and on the non-fiction front, a little ways into Anne Lamott's Almost Everything: Notes on Hope.
Meanwhile,
scruloose and I are two episodes into season 2 of Silo.
KJ Charles' The Secret Casebook of Simon Feximal (historical M/M) is a neat setup, where the narrator has been partnered for years with a paranormal investigator and has written famous accounts of the cases they faced, and is now much more privately writing about their personal history and the cases that instigated and shaped their romantic partnership (with, of course, many references to cases he's already written about for the public eye).
Dweller on the Threshold is my second read by Skyla Dawn Cameron, in which a woman inherits a probably-haunted house early in the covid pandemic. It's creepy and well-done and much weirder than it initially seemed likely to be (although to nowhere near the degree of weirdness that her The Taiga Ridge Murders, which I read late last year, turned out to be).
Dreadful Company (Vivian Shaw) was a quick, fun read. It's the second Dr. Greta Helsing novel, and it left me in the odd-feeling (but not uncommon for me, really) position of having enjoyed it without feeling any particular need to seek out the following books.
What Stalks the Deep is the third of T. Kingfisher's Sworn Soldier novellas, which due to the increasingly-horrifying prices of ebooks (in particular novellas, IMO) I borrowed from the library. OT1H, that's deeply annoying, because I generally really like Ursula Vernon's writing and would like to simply buy everything, if only to support her (and yes, I do know library borrows do contribute to that as well); OTOH, I avoided spending something like $20 on a NOVELLA and was (briefly) spared the need to decide what to read next, because when this became available at the library, it became my obvious next read once I'd finished Dreadful Company. Also, I enjoyed it; I wouldn't recommend reading it without at least reading the first book in this set, and if you've read and liked the previous ones, you'll presumably like this one too.
(Before my many-years-ago-now decision to spend a year [ha!] reading mainly/only from books I'd purchased but never read--which has pretty much been ongoing ever since, because I keep buying books--I almost never had to think about what to read next, because I had several hundred holds on hard copies at the library, and basically would just put something on hold and immediately suspend the hold for a year or two [whatever the maximum was], and then frequently scroll through the list and re-suspend books if I caught them in the window between them being automatically unsuspended and actually heading my way. Whatever books I didn't catch in that window arrived for borrowing at the library, so I'd pick them up and read them, whatever they were.)
Also
Current reading/watching: I'm a few chapters into Bury Our Bones in the Midnight Soil (V.E. Schwab), and on the non-fiction front, a little ways into Anne Lamott's Almost Everything: Notes on Hope.
Meanwhile,
In the sounds of then and now, we lose ourselves
Nov. 2nd, 2025 04:55 pmI survived the busiest time of the year at work! All of my timetabled start-of-the-academic-year classes are done, I've reassured the first round of stressed out postgraduate students that they are capable of the research skills expected of them, and after this week, the remainder of the busyness is no longer my responsibility. It's felt easier than it has done in years, due to the fact that I actually have a full complement of colleagues to share the load.
Although I don't tend to do much in the way of Halloween, this weekend ended up being one of dust and echoes, haunting and memory, and light and warmth against the turn towards winter almost unintentionally. We didn't get any trick-or-treaters, but I've had candles lit almost constantly since Friday night, and I spent a pleasant half-hour last night watching the fireworks (in advance of 5 November) from the guest bedroom window. This annual event has a whole capitalistic carnival apparatus around it — the hill (usually a public park) from which the fireworks can be viewed is cordoned off, accessible only with a fee, there are fairground-type stalls, and so on. The fact that you have to pay to get in, and that it's cold, always puts me off, and this year I felt more smug than usual at this decision, as it also rained heavily for about an hour before the fireworks began. Far better to watch for free from my warm house!
I've been doing all the normal maintenance activities of the weekend — two hours at classes in the gym yesterday, followed by market lunch, 1km in the pool this morning, coffee and bookshop browsing and a drink in the courtyard garden of the best bar in town today — plus trying to get the garden ready to hibernate over winter. The fact that half the plants are still flowering in November is impeding this somewhat, but I can hardly be annoyed at raised beds still filled with a riot of cornflowers, hollyhocks, nasturtiums, marigolds and dahlias.
In addition to all that, I worked on this year's Yuletide assignment, and made good progress.
Other cool things:
goodbyebird has set up a new comm,
rec_cember. As per the description of the comm, it involves:
This weekend's (re)reading was deliberately seasonal: the annual The Grey King (Susan Cooper) reread on Friday, and A Lane to the Land of the Dead (Adèle Geras) yesterday. The former remains as exquisite and devastating as ever, the latter was a reminder to me of Geras's versatility as an author: an accomplished collection of ghost stories, set in various parts of Manchester in the mid-1990s (contemporary to the time at which she was writing), with an incredible sense of place. I first visited the city in the 2020s, so never encountered it in the decaying, collapsing, impoverished state that Geras depicts, but she makes it come alive. This after I first encountered Geras as a writer of historical children's fiction, and of YA fairytale retellings set in a British girls' boarding school in the 1960s. Both books, in very different ways, understand haunting not only as the supernatural (although of course this is a strong presence) but also in land, and the built environment, and the memories they retain and transmit, and the bitterness people carry and refuse to let go. I'm glad I chose to read both at the time I did.
Although I don't tend to do much in the way of Halloween, this weekend ended up being one of dust and echoes, haunting and memory, and light and warmth against the turn towards winter almost unintentionally. We didn't get any trick-or-treaters, but I've had candles lit almost constantly since Friday night, and I spent a pleasant half-hour last night watching the fireworks (in advance of 5 November) from the guest bedroom window. This annual event has a whole capitalistic carnival apparatus around it — the hill (usually a public park) from which the fireworks can be viewed is cordoned off, accessible only with a fee, there are fairground-type stalls, and so on. The fact that you have to pay to get in, and that it's cold, always puts me off, and this year I felt more smug than usual at this decision, as it also rained heavily for about an hour before the fireworks began. Far better to watch for free from my warm house!
I've been doing all the normal maintenance activities of the weekend — two hours at classes in the gym yesterday, followed by market lunch, 1km in the pool this morning, coffee and bookshop browsing and a drink in the courtyard garden of the best bar in town today — plus trying to get the garden ready to hibernate over winter. The fact that half the plants are still flowering in November is impeding this somewhat, but I can hardly be annoyed at raised beds still filled with a riot of cornflowers, hollyhocks, nasturtiums, marigolds and dahlias.
In addition to all that, I worked on this year's Yuletide assignment, and made good progress.
Other cool things:
[a] month long reccing event for December. Let's recommend some fanworks! Let's appreciate and comment on those fanworks!
This weekend's (re)reading was deliberately seasonal: the annual The Grey King (Susan Cooper) reread on Friday, and A Lane to the Land of the Dead (Adèle Geras) yesterday. The former remains as exquisite and devastating as ever, the latter was a reminder to me of Geras's versatility as an author: an accomplished collection of ghost stories, set in various parts of Manchester in the mid-1990s (contemporary to the time at which she was writing), with an incredible sense of place. I first visited the city in the 2020s, so never encountered it in the decaying, collapsing, impoverished state that Geras depicts, but she makes it come alive. This after I first encountered Geras as a writer of historical children's fiction, and of YA fairytale retellings set in a British girls' boarding school in the 1960s. Both books, in very different ways, understand haunting not only as the supernatural (although of course this is a strong presence) but also in land, and the built environment, and the memories they retain and transmit, and the bitterness people carry and refuse to let go. I'm glad I chose to read both at the time I did.
Alphabet Fic Game I: Art
Nov. 2nd, 2025 04:26 pmvia
rachelmanija
Rules: How many letters of the alphabet have you used for [starting] a fic title? One fic per line, 'A' and 'The' do not count for 'a' and 't'. Post your score out of 26 at the end, along with your total fic count.
Since I'm multimedia, I decided to separate out into Art, Vids, and Fic! This post is just about the artwork I've posted onto AO3.
A: [Art] of War (I left out the [Art] prefix from all the other artworks, but for this one, it's part of the title)
B: Bombad Sith Lord
C: Confounding Variable
D: Drive I to the Dark
E: Eat the Competition
F: First Contact
G:
H: Hot Pool
I: Intrusion Into
J:
K:
L: Lava Pillow
M: Moongazer (lots of M art!)
N:
O: Octopus EVA
P: Professor Fuzang and the x-ray machine
Q:
R:
S: Snail's Daydream
T: To Do: Steal the Sun
U:
V: Volcanic Eruption
W: Womanly Rage & Knife Violence
X:
Y:
Z:
Total: 16/26, with 39 artworks. I mostly took the opportunity to update some of the broken image links from Discord changing its file hosting stuff. Did I get all of them? Probably not. Enough? Sure.
As for the missing letters, some aren't that surprising, but I'm a bit huh at G, N, and R. I guess I can use this as a guide for how to title the next time I'm trying to pick a title for something?
Rules: How many letters of the alphabet have you used for [starting] a fic title? One fic per line, 'A' and 'The' do not count for 'a' and 't'. Post your score out of 26 at the end, along with your total fic count.
Since I'm multimedia, I decided to separate out into Art, Vids, and Fic! This post is just about the artwork I've posted onto AO3.
A: [Art] of War (I left out the [Art] prefix from all the other artworks, but for this one, it's part of the title)
B: Bombad Sith Lord
C: Confounding Variable
D: Drive I to the Dark
E: Eat the Competition
F: First Contact
G:
H: Hot Pool
I: Intrusion Into
J:
K:
L: Lava Pillow
M: Moongazer (lots of M art!)
N:
O: Octopus EVA
P: Professor Fuzang and the x-ray machine
Q:
R:
S: Snail's Daydream
T: To Do: Steal the Sun
U:
V: Volcanic Eruption
W: Womanly Rage & Knife Violence
X:
Y:
Z:
Total: 16/26, with 39 artworks. I mostly took the opportunity to update some of the broken image links from Discord changing its file hosting stuff. Did I get all of them? Probably not. Enough? Sure.
As for the missing letters, some aren't that surprising, but I'm a bit huh at G, N, and R. I guess I can use this as a guide for how to title the next time I'm trying to pick a title for something?

